Taylor-Dth News - Archive

To return to the archive list, click here.

To return to the current news article, click here.

Use the links at the bottom of the page to move to other areas of the site.

Important Points of Fiction

Fiction manuscripts receive feedback that addresses and scores:

The theme of the book
Character development and depth
Plot and story line resolution
Pace and setting of the story
The effective use of dialog
The appropriateness of the tense and point of view
How compelling the book will be in the marketplace
Spelling, grammar, punctuation and much more!

The theme or premise of a novel is important because it sets the stage for the characters, the setting, the plot, the conflict, and the climax. Is it a story of love, jealousy, ambition, adventure, of triumph or failure? These themes, as well as many others must be considered and decided upon by the fiction writer.

Coming from the design of the tale are the characters and their development. Protagonists and antagonists live because they produce the conflict that gives tension and stress, for without these elements no story exists. Important is a fully rounded character with vices as well as virtues. Protagonists must have qualities that we relate to, but antagonists must also have traits that are decent yet not exceeding their failings.

The conflict between the hero and villain produce the story line or plot-the events that bring the two into discord. This dissension can be physical, mental, social, desire, goal, aspiration, or any feature that they view differently. Some stories are plot driven while others are character driven although all stories have some of each.

Setting is determined by the characters, which may be past, present, or future. Historical novels are situated in the past of a specific locale; contemporary novels deal with the present in time and location; futuristic novels-science fiction and fantasy-deal with the future or locales out of this world.

Now we come to dialogue that must suit the character as well as the setting if it is to be realistic and relate to time and place. If of the past, it must copy the style, the syntax, and the idiom of the time. Dialogue must always further the story, develop the character, or suit the locale; never can it be to fill in space.

The writer must also choose carefully the tense and point of view. Some stories are better told from the present tense while others from the past tense. Using the pluperfect past tense sacrifices immediacy and slows down the rhythm of the language. Another important consideration is the point of view: Sometimes the first person singular is the most appropriate while at other times the third person omniscient is proper. Choose prudently because it can make or break the story.

Another consideration, although a lesser one, is how compelling the piece will be in the marketplace. Since publishers are always concerned about the bottom line, they look to see how the buyers who are the readers will receive it. Perhaps from a publishing point of view, this is the most important criterion for the acceptance or rejection of a manuscript.

To make a manuscript acceptable it must follow the rules of good grammar, be free of spelling and typo errors and written in the language that is acceptable to the target audience. The fiction writer has much to consider with every work undertaken, yet believe in the importance and worth of his or her endeavors.

Charles O. Goulet has a BA in history and a BEd in English literature. He has several historical novels published and they my be obtained at Amazon.com, Amazon.ca, Barnes and Noble, and many other bookstores.

Charles O. Goulet
RR 1
Evansburg, AB
T0E 0T0
go1c@telusplanet.net

Article Source: http://EzineArticles.com/